| In that dreadful light Sam stood
aghast, for now, looking to his left, he could see the tower of Cirith Ungol in
all its strength. The horn that he had seen from the other side was only the topmost
turret. Its eastern face stood up in three great tiers from a shelf in the mountain-wall
far below; its back was to a great cliff behind, from which it jutted out in pointed
bastions, one above the other, diminishing as they rose, with sheer sides of cunning
masonry that looked north-east and south-east. Above
the lowest tier, two hundred feet below where Sam now stood, there was a battlement
wall enclosing a narrow court. Its gate, upon the near south-eastern side, opened
on a broad road, the outer parapet of which ran upon the brink of a precipice,
until it turned south ward and went winding down into the darkness to join the
road that came over the Morgul Pass. Then on it went through a jagged rift in
the Morgai out into the valley of Gorgoroth and away to Barad-dur.
| From
the The Tower of Cirith Ungol in
The Return of the King
| | The Artists are the Brothers Hildebrandt
Go HERE to find out more about the Artist |
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Up the long ravine between the piers and columns of
torn and weathered rock, standing like huge unshapen statues on either hand. There
was no sound. Some way ahead, a mile or so, perhaps, was a great gray wall, a
last huge up thrusting mass of mountain-stone. Darker it loomed, and steadily it
rose as they approached, until it towered up high above them, shutting out the
view of all that lay beyond. Deep Shadows lay before its feet. The
horn upon the left was tall and slender; and in it burned a red light, or else
the red light in the land beyond was shining through a hole. He saw now; it was
a black tower poised above the outer pass.
| From
the The Stairs of Cirith Ungol in
The Two Towers
| | The
Artist is Joe Russell | |
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Within the shadow of the gate he saw the Two Watchers. They were like great figures seated upon thrones. Each had three joined bodies, and three heads facing outward, and inward and across the gateway. The heads had vulture-faces, and on their great knees were laid claw like hands. They seemed to be carved out of huge blocks of stone, immovable, and yet they were aware; some dreadful spirit of evil vigilance abode in them. They knew an enemy. Visible or invisible none could pass unheeded. They would forbade his entry, or his escape.
From the The Tower of Cirith Ungol in
The Return of the King |
The Artist is Weta Digital & Weta Workshop
Go HERE to find out more about the Artist |
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